Най-големият фотофестивал на открито в Европа „Ла Гасили Баден - Култура bnr.bg - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bnr.bg Daily Mail and Mail on Sunday newspapers.
Kevin Condon
Gil Shaham & The Knights perform Pocket Beethoven at Green-Wood Cemetery in Brooklyn on June 25, 2021.
New York s Death of Classical performance series returned Friday (June 25) evening within Brooklyn s Green-Wood Cemetery with Gil Shaham and the Knights taking on Beethoven s
Violin Concerto in D Major, Op. 61. It s a rarity to make out any constellation in New York City, so when the Big Dipper appeared, tilting down above the six-piece pocket orchestra, it was hard not to be arrested by the simple pleasure of live music under the night sky after a difficult year. As for concert settings, this one brought the drama. Pink and blue lights gently illuminated the shadowy stonework of the Gothic Arch towering behind the performers, making it seem like a Gothic Magic Kingdom made especially for the event.
7 peças icônicas de design que mais aparecem em séries e filmes globo.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from globo.com Daily Mail and Mail on Sunday newspapers.
Keine Herrschergestalt hat eine so große kulturelle Wirkung gehabt wie Napoleon, der vor 200 Jahren starb. Für deutsche Dichter und Denker wurde er zur Projektionsfläche, zum Inbegriff des Umstürzlers aller Verhältnisse. Nur der größte deutsche Künstler hat ihn gecancelt.
Soma Ghosh
, April 16th, 2021 09:53
Darius Marder s bold debut Sound of Metal asks the viewer to understand rock and deafness as two contradictory things – but it s a complex history, finds Soma Ghosh
‘Life is noise,’ reads the strapline to Darius Marder’s directorial debut
Sound of Metal, an unorthodox drama about a drummer who loses his hearing. It opens with screeching, turbulent guitar feedback, as a grunge heavy metal duo perform a quaking gig. Lou (a nervy performance by Olivia Cooke), lead singer and guitarist, screams orgasmically: ‘Purify!’ Her lover, Ruben (an acting masterclass in wild-man sensitivity by Riz Ahmed), drums like a stoned wizard, wreathed in a halo of spit and sweat. To these two, silence might feel like death – and death haunts their love and art; a tattoo of crossed pistols on Reuben’s chest reads ‘Please kill me’. Yet this film asserts the beauty of silence. The sound design immerses us in the surf of Ruben’s ears, forcing the un