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Like other nationalities, Hollywood has manufactured cinematic stereotypes of the French. Unlike Tinseltown movies such as 1951’s An American in Paris, 1954’s The Last Time I Saw Paris, 1964’s Audrey Hepburn-William Holden comedy Paris When It Sizzles, and 1972’s Last Tango in Paris, there a.
Director Jacques Audiard talks with PopMatters about straddling the divide between art and commercial cinema with his comedy/romance, Paris, 13th District .