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It’s true that the video showed real footage from the 19th century. The film’s title is “Départ en voiture,” which roughly translates to “Departure by carriage.”
It was captured by the groundbreaking French filmmakers Auguste and Louis Lumiere, better known as the Lumiere brothers, who shot some of the earliest films in motion picture history.
On May 23, 2020, it was remastered and upscaled to 4K quality in beautiful color by a YouTube user named David Martin. Audio was also added with a number of sound effects to give an idea of what the scene may have been like at the time it was filmed:
The Sound Kitchen
Audio 23:12 29 min This week on The Sound Kitchen you’ll hear the answer to the question about the winners of the French film awards, the Césars. There’s “On This Day”, listener news, and music chosen by The Sound Kitchen’s Producing Engineer, Erwan Rome. All that, and the new quiz question too! Just click on the “Audio” arrow above and enjoy! Advertising
Hello everyone! Welcome to
The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You’ll hear the winners names announced and the week’s quiz question, along with all the other ingredients you’ve grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.
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Why our enduring romance with the railways makes for great cinema
Why our enduring romance with the railways makes for great cinema
ByTrisha GuptaTrisha Gupta / Updated: Apr 4, 2021, 06:00 IST
TRISHA GUPTA
Awtar Krishna Kaul’s 27 Down, which won two National Awards in 1973, remains a visually arresting reflection on India’s train journeys
The connection between films and
trains dates back to cinema’s origins. One of the Lumiere brothers’ first films was of a train arriving at the station in La Ciotat, a small French town near Marseilles. Arrival of a Train, shot in 1895, is central to the mythology of the movies. The claim (made in several film histories) is that early audiences leapt from their chairs in alarm as Lumiere’s locomotive seemed to race towards them. Even in soundless, jerky black-and-white, the story goes, the power of the moving pictures was such that people – almost couldn’t tell them apart from life.