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Greg Hansell Book Launch Invitation

Greg Hansell Book Launch Invitation
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National Library of Australia Publishing imprint celebrates 50 years

National Library of Australia Publishing imprint celebrates 50 years National Library of Australia Publishing imprint is celebrating its 50th anniversary in 2022 – with several special events and publications marking this significant milestone.

The artist, the mafia and the Italian job: is heist mystery about to be solved?

I think Archie would be pleased : 100 years of our most famous portrait prize and my almost 50 years watching it evolve

In 2008, when I first visited Canberra’s newly opened National Portrait Gallery, my first response was an overwhelming sense of déjà vu. I knew many of those paintings. They had once hung on the walls of the Art Gallery of New South Wales as part of the annual Archibald Prize exhibition, or been seen in the Salon des Refusés home to the best of the rejects. Over 49 years I have seen the Archibald from both the inside, as a curator, and the outside as a critic. My first Archibald was in 1972, the year Clifton Pugh won with his portrait of Gough Whitlam. Along with other art history students, I had never been especially interested in this festival of popular culture, but as the recently appointed most junior of all curators my job was to administer the prize.

Archibald winner Nora Heysen was crushed by men who laughed at her art

Archibald winner Nora Heysen was crushed by men who laughed at her art We’re sorry, this service is currently unavailable. Please try again later. Dismiss By Jennifer Higgie Save Normal text size Advertisement Well, I painted myself because I knew her; I am only shy with people. Painting self-portraits is the one time when you can be with yourself absolutely and just paint; you don’t even have to get a likeness With self-portraits you can be alone with yourself and not have to worry about another person. Nora Heysen Modernity is an arrogant master; for all of its flashy brilliance, it’s censorious; in the blink of an eye it excludes those who haven’t subscribed to its assumption of what constitutes progress.

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