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Brides heads are revisited as part of museum collections

18 Jul 2021 BLUSHING BRIDE: The Helleu plaque In the latest of her occasional columns, Dorothy Blundell takes a sideways look at some of the unique items on show at The Bowes Museum, where she is a volunteer. IN a Bowes Museum guide book dated 1996, there is a picture of a small porcelain bust of a rather forlorn looking woman. It is titled The Bride. Made by Worcester, the enamelled colours are meant to make it look more lifelike, but instead they seem to add to the feeling of sadness from her expression beneath her spotted net veil. And yet, the bridal veil which dates back to Greek and Roman times was supposed to hide a bride “from evil spirits who might want to thwart her happiness”.

Emily Brontë rare handwritten poems £1 million The Honresfield Library auction

VCG Wilson / Corbis via Getty Images When it comes to England’s literary heritage, few figures command quite as much fascination as the Brontë sisters. Over two centuries on from their births, Charlotte (1816–1855), Emily (1818–1848), and Anne (1820–1849) remain celebrated figures, heralded for works like Jane Eyre, The Tenant of Wildfell Hall, respectively. Emily was relatively little-known in her lifetime, having written her famous tragic love story in 1847, a year before her death of tuberculosis aged just 30. Now, however, she’s regarded as a canonical writer – and in exciting news for bibliophiles, a volume of her handwritten poems is part of a trove of literary artefacts going up for sale at Sotheby’s.

معرض للحقائب في متحف «فيكتوريا أند ألبرت» اللندني

معرض للحقائب في متحف «فيكتوريا أند ألبرت» اللندني
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