As streaming has moved through the pandemic years into a new normal that isn t exactly what anyone expected, the meaning of hybrid event streaming production and delivery that has emerged over the last few years continues to evolve. So what does it mean in 2023, for producers, organizations, and audiences, both onsite and remote? And what can streamers do to level the playing field for those participating from near and far? In this clip from their recent panel at Streaming Media Connect 2023, LiveX s Anna Cowdery, Ohio State s Derrick Freeman, Boston 25 News s Ben Ratner, Stream4us Anthony Burokas, and Howard & Associates Andy Howard discuss best definitions and best practices for hybrid event video in 2023.
My current role as media coordinator at the State Bar of Wisconsin involves live production of Continuing Legal Education seminars for lawyers. Our job as a two-person media department is to make our speakers and presenters look good. Between us, we operate a NewTek TriCaster, audio mixing, projection, and multiple cameras. This article will discuss how and why we transitioned from Panasonic CX350s and SDI to an all-PTZ camera NDI workflow.
Look at the bigger picture when the wave of amazing gadgets hits. It s already on the way. You can see it coming. Is that item worth the possibility that it fails? Who stands behind it if it does? We re all looking for the next game changer. That s natural. There are now a lot of companies, half a planet away, trying to be the next NewTek with cutting-edge technologies. Watch your fingers.
This quick tutorial for remote producers should enable you to bring guest presenters into vMix via vMix Call and give you the ability to talk to them, and give them the ability to talk to you, without the audience hearing. Then, when the callers go live, the bus will automatically switch and the audience will hear them but they will not hear what s going on outside of the live show.
An inevitable question for any streaming strategy or workflow is Will it scale? When it comes to incorporating interactivity, promoting it, and delivering interactive experiences that are satisfying both for large-scale streaming audiences and the brands behind them, this question is more mission-critical than ever. In a recent panel at Streaming Media Connect 2023, B Live s Jay Kopelman, Bulldog DM s John Petrocelli, and LiveX s Corey Behnke break down the problem and the challenges facing streamers and brands when it comes to making streaming interactivity is popular and profitable for all its stakeholders.