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Blurry lines between life, death

MOVIE REVIEW

Lilaaj listerMary shelley frankensteinLaura mossLisa forstCelie judy reyesBrendanj obrienTribune news serviceMarin irelandJudy reyesMary shelleyBreeda wool

Movie review: birth/rebirth an effective modern take on Frankenstein – Twin Cities

It's a shocking, disturbing and ultimately fascinating debut from director and co-writer Laura Moss.

Lilaaj listerBrendanj obrienCelie judy reyesLaura mossLisa forstMary shelley frankensteinMarin irelandJudy reyesMary shelleyBreeda wool

Review: Disturbing birth/rebirth is a modern Frankenstein

Review: Disturbing birth/rebirth is a modern Frankenstein
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Brendanj obrienCelie judy reyesLilaaj listerLisa forstLaura mossMary shelley frankensteinMarin irelandJudy reyesMary shelleyBreeda wool

birth/rebirth review: Frankenstein, now with women

Director Laura Moss' unsettling new take on 'Frankenstein' doubles down on the feminist dread, even when it's women doing the reanimating of dead corpses.

Brendanj obrienLaura mossMary shelley frankensteinLilaaj listerLisa forstJudy reyesCelie judy reyesMarin irelandMary shelleyBreeda wool

birth/rebirth an effective take on Frankenstein | Arts and Entertainment

Bodies make sense to morgue technician Rose (Marin Ireland) — it’s people that don’t. A pathologist in a Bronx hospital, the socially awkward Rose is comfortable with death, almost flippant

Laura mossCelie judy reyesBrendanj obrienMary shelley frankensteinLisa forstLilaaj listerMarin irelandJudy reyesMary shelleyBreeda woolArts and entertainment

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