Minneapolis Institute of Art acquires complete archive of works created by Highpoint Editions
Jim Hodges, of Summer, 2016. From Seasons. Sugar-lift aquatint, spit-bite aquatint, drypoint (scribes, sandpaper), scraping, burnishing, woodcut in dark blue on Gampi paper, screenprint in light blue, and color digital pigment print on Gampi paper with cutouts; edition of 28, plus 6 artists proofs, 34 × 24 in. (86.36 × 60.96 cm) (image); 41 × 30 1/2 in. (104.14 × 77.47 cm) (sheet) Highpoint Editions Archive, The Friends of Bruce B. Dayton Acquisition Fund and the Christina N. and Swan J. Turnblad Memorial Fund 2020.85.53.
MINNEAPOLIS, MN
.-The Minneapolis Institute of Art today announced it has acquired the complete archive of works by Highpoint Editions, the publishing arm of Highpoint Center for Printmaking (HP), a nonprofit printmaking art center established in 2001 in Minneapolis. The 20-year archive comprises 310 published prints and multiples, plus 700 items of ancillary
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how to manage cookies, Our site uses technology that is not supported by your browser, so it may not work correctly. Please update your browser for the best experience. A Conversation with Carlos Amorales on Apocalyptic Futures The Mexican artist talks about migration, our relationship with nature, and finding the seeds of renewal amid catastrophe.
Manimal begins with a panoramic view of a parched landscape, with dead trees and a cloudy sky lit only by the light shining down from three moons. Ominous music plays as a silhouette of a pack of wolves appears. The point of view varies, from the wolves’ to images of the pack running through a desolate landscape. Planes taking off, an abandoned playground, and a group of empty buildings are the sole traces of human life in a setting dominated by wolves. Mexican artist Carlos Amorales made this five-and-a-half-minute video envisioning a world