in puccini s turandot at the royal opera house. it was an amazing run. it was all like a dream come true. and what makes him such a good conductorfrom a young singer s perspective? he knows the voice, so he knows how to work with the voice and also to incorporate your voice with the orchestra. it was amazing to work with maestro pappano as a conductor, you know, focusing on the music and also the text. tony pappano has conducted around 700 performances over two decades at the royal opera house
it was all like a dream come true. and what makes him such a good conductorfrom a young singer s perspective? he knows the voice, so he knows how to work with the voice and also to incorporate your voice with the orchestra. it was amazing to work with maestro pappano as a conductor, you know, focusing on the music and also the text. she sings aria the british italian conductor, sir antonio pappano, is one of the biggest names in opera. he s conducted around 700 performances over two decades at the royal opera house in london as its music director. and he believes opera does not deserve the reputation
in puccini s turandot at the royal opera house. it was an amazing run. it was all like a dream come true. and what makes him such a good conductor from a young singer s perspective? he knows the voice, so he knows how to work with the voice and also to incorporate your voice with the orchestra. it was amazing to work with maestro pappano as a conductor, you know, focusing on the music and also the text. he s conducted around 700 performances over two decades at the royal opera house in london as its music director. and he believes opera does not deserve the reputation of being an elitist artform.
all came out of me. one of the many singers whom tony has mentored is the south african soprano masabane cecilia rangwanasha. you still must sing with that refinement. when you ve got the technical refinement, then you can add this overwhelming. emotion. but really lovely, terrific. and tony was the conductor of her debut in a major role when she sang the part of liu in puccini s turandot at the royal opera house. it was an amazing run. it was all like a dream come true. and what makes him such a good conductorfrom a young singer s perspective? he knows the voice, so he knows how to work with the voice and also to incorporate your voice with the orchestra. it was amazing to work with maestro pappano as a conductor, you know, focusing on the music and also the text.
this overwhelming. emotion. but really lovely, terrific. and tony was the conductor of her debut in a major role when she sang the part of liu in puccini s turandot at the royal opera house. it was an amazing run. it was all like a dream come true. and what makes him such a good conductorfrom a young singer s perspective? he knows the voice, so he knows how to work with the voice and also to incorporate your voice with the orchestra. it was amazing to work with maestro pappano as a conductor, you know, focusing on the music and also the text. she sings aria