From each one and James Cleverly vowing to sell the benefits of conservativism with a smile. He talked about positivity as the person who talked before him, Tom Tugendhat, had. He went further and tugendhat, had. He went furtherand told tugendhat, had. He went further and told the tories, they need to be more normal, as he put it. He talked about such a wide range of different issues. His wife and how she battled cancer, and how the nhs was wonderful when she needed it, and he talked about some of the achievements of the conservative government. He also talked about his time in government. Lets talk to our Correspondent Listening in. Damian, what do you take from James Cleverly . It felt like it went on for more than 20 minutes, im not sure if itjust felt like that. I sure if it just felt like that. I think its dead. We were not tailing exactly. We think it went on for maybe 30 minutes we were not i think it did, we were not timing exactly. You could hear some of the moments were clear
Tim Daisy; Matt Piet at the Hungry Brain pre-COVID Photos by Marek Lazarski and Morgan Ciesielski
The COVID-19 pandemic has put tens of millions of Americans out of work, but even considering that bleak landscape, musicians have been hit especially hard most of their jobs only barely exist now, and the infrastructure that might allow them to return someday is in danger of collapsing. Festivals have been canceled, larger concert halls closed, and smaller clubs either shuttered or restricted to fractions of their usual audiences. At least in the States, no one is touring. In Chicago, many of the venues that stage jazz and improvised music have either been streaming pay-what-you-will concerts or sitting dark since March. The disappearance of in-person performance opportunities hurts worse in this context, since the music thrives upon and in fact usual