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Ben Lerner, Personal Poet

Ekphrastic Literature

Ekphrastic Literature Granta magazine’s “best of young American novelists.” His short story The Polish Rider first appeared in the Summer 2016 fiction issue of the New Yorker. If a short story were capable of ambition and could dream, it might dream of exactly this: a second life as a slim hardcover volume published by MACK, a UK-based small press, with embossed lettering on the cover, the text accompanied by full-colour illustrations printed on fine paper. The Polish Rider is a meta-fictionalized take on a real-life event that occurred to Lerner and his friend, the painter Anna Ostoya: just before a gallery showing of her paintings, Ostoya accidentally left two of the canvases in an Uber in New York City. The story describes the efforts of an unnamed narrator (Lerner) and the artist (renamed Sonia) to recover the lost paintings. Along the way the narrator muses on “platform capitalism,” the clash of technologies, high art and popular culture, and diff

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