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Why Katerina Jebb Wanted to Showcase a Strange Embroidery in the V&A A new work by artist Katerina Jebb magnifies a 19th-century embroidery sampler from the museum s archive, which tells the harrowing story of its creator Elizabeth Parker – here, Jebb tells Claire Marie Healy about her attraction to charged objects May 06, 2021 Lead ImageUntitled by Katerina Jebb, London and Paris, 2020. © Katerina Jebb© Victoria and Albert Museum What is imparted to an object when it is scanned, and what is imparted to an object when it is scanned by the artist Katerina Jebb? There’s the imprint of labour, certainly – the British-born artist’s technique of flat-scanning artefacts piece-by-piece, before seamlessly reassembling them into a collaged whole, takes many long hours and several days per project. There’s a new clarity: something ordinary and familiar is rendered in high-definition, acutely detailed to such an extreme that it takes a few seconds to correctly name it. And,

City ofUnited kingdomFrance generalElizabeth parkerAntonia canovaIsabella huppertClaire marie healyFrancis picabiaTilda swintonKaterina jebbKaterina jebb elizabeth parkerTextclaire marie healyMarcel duchampShakespeare companyShakespeare coLiberation press pass