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Road to Enigma and Profundity, Guangshe and the Artistic Turn of Photography in the Early 20th Century, December 23, 2023–April 14, 2024 // Qian Weikang, Stipulated Amount and Free Fall, Qian Weikang, from 1990 to 1996 // New Measurement Group, Analysis, New Measurement, from 1988 to 1995, December 23, 2023–April 14, 2024
Three years ago this week I watched the 9th Beijing Independent Film Festival crumble under the weight of official fear fear that the gritty low-budget, experimental dramas and documentaries screening in a remote Beijing suburb reflected a touch more truth about life in China than was permissible at the city’s gleaming downtown cineplexes; fear that these films would thus
In July, Transformers: Age of Extinction, the fourth in the action-packed series of Hollywood films about trucks turning into giant robots to save the world, became the first film to sell more than $300 million in tickets at China’s box office.Hollywood’s drive to crack the Chinese market is stronger than ever, and it is no shock that Chinese-language films mimicking the
MY FIRST GLIMPSE of Tang Song was through the windshield of a car. He was perched on a rooftop high above the bamboo-covered mountains as I drove up to his lair. With his newly-shaved brown head shining in the sun and his pointed ears cutting the sky behind him, he looked like Lucifer, the fallen angel, peering down over his subjects as they finished their long journey. First impressions go a long way and Tang’s. . .well, his keeps on going. The scene seemed straight out of a James Bond film: a secret, remote headquarters where a mad villain paced the rooftop conspiring to decimate the world.