Topics A New Take on Lohengrin; Tanz im August Exquisite Fusion; All Things Mozart; Young Euro
all those calls have In The Name Of Progress of wanting a comfortable life with all the resources we are destroying with the things that have been given to was the ability to understand and communicate and share with each other and these are things we now have to try and relearn and reformulate because they have stopped functioning. Uniform. Its in a monolithic vision in which technology destroys humanity. Think about how this is necessary but where we actually heading. Posthuman is put on in theory but gripping show in fact the entire festival is gripping and occasionally unnerved as it moves beyond physical and artistic about us. Next from berlin to by like. Are you a wagner fan then. We need to go to the bio Light Festival to explore his legacy
the rest of all thats goes if you feel it evoked all these images just below zero of the blue that dominates the stage its been so to look at that
here is not entirely human but position somewhere between man and man as at first station mention when martin is going to be back on that bizarre and interesting to hear research and we decided to leave it open for the audience to interpret and listen off after just to become. and audiences are used to puzzling over the meaning of each new interpretation of wagner s lowing bring it premiered in a scene fifty in time but has seen no fewer than ten productions here in by void since eighty ninety four. there was a symbolist one by guts retreat in one nine hundred seventy nine. twenty years later keith warner s most apocalyptic. the last production five hundred million shares dates from twenty ten. he dressed the chorus up as rats and told the story of no incremental such as an experiment about love and trust in a world devoid of emotion. the premie
all those calls have in the name of progress of wanting a comfortable life with all the resources we are destroying with the things that have been given to was the ability to understand and communicate and share with each other and these are things we now have to try and relearn and reformulate because they have stopped functioning. uniform. it s in a monolithic vision in which technology destroys humanity. think about how this is necessary but where we actually heading. post-human is put on in theory but gripping show in fact the entire festival is gripping and occasionally unnerved as it moves beyond physical and artistic about us. next from berlin to by like. are you a wagner fan then. we need to go to the bio light festival to explore his legacy
placed an electricity pylon in the middle of the seventeenth century setting their shining dispute my thought was we see here a society that once had electricity or energy and has lost it and i lost it s drive and handed it over to some god. and now is waiting for that energy to return to the world in the very it s a common view of. service none green is now in there like trisha in blue overalls who s going to restore the power supply. this is the forest retreat to the child prepared for the real he took it on at the last moment after roberto alagna backed out but challenged jumped at the opportunity looked at the wagner lever wagner lovers this is mental illness but you can say no i think of this very seriously and give my oh my best this and i
the rest of all that s goes if you feel it evoked all these images just below zero of the blue that dominates the stage it s been so to look at that sixty. is lohengrin has been a guest in my studio for six years it was not playing all the time to do but it certainly dominated the acoustic airspace and of course it inspired me. it sucked so i suppose in spirit. neil valve is a superstar among german contemporary painters often associated with the new life church school his work sell for a fortune worldwide this is the first time he and his wife have tried to hand just oprah. it s been our first direct hands on experience though of course we ve seen many operas here and we listen to wagner in the studio but there we weren t engaging with wagner directly in the paintings it was more of a subtle sub. conscious influence does. or. does.