i m not kidding. and the man who was the director of photography was sitting right in front of me. i watched him fly. i dropped the bike. we slid under the sound truck. they came running over and they pulled the bike out, because they rented it. then they pulled me out. fine. but here s the great thing, okay? the second bike i used, which was a triumph, was the same bike that steve mcqueen used to jump the fence in the great escape. [ applause ] we call that poetry, don t we? now i m walking down beverly hills in the street, and steve mcqueen is walking the other way, and all i did was nod my head. i never stopped him to say, i m so happy to meet you.
them. like we need a fence around the house, let suild a fence. even if people don t read comic books, they know marvel. what was your experience like in that world? it was tough for me, even from the beginning, just because i came from publishing my own comics. and so going to marvel and writing other comics for them, like being a work for hire kind of thing, yeah, i found it frustrating, because i felt like they were doing things wrong and when i would tell them, they didn t appreciate that. i think you should be doing, this and i would be like, what are you doing? so i was at marvel for four years. it was a lot of fun and i learned a lot. but it was extremely frustrating, you know, not being in control. and not being able to say, oh, you know what? it would be cool if spiderman s