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Don Martin, LACHSA teacher and Lester Horton dancer, dies
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ONLINE: UW Dance Department
February 4, 2021
Sarah Maughan
Christopher Walker is a professor of dance and founding artistic director of the First Wave program in the Office of Multicultural Arts Initiatives at the University of Wisconsin-Madison.
This winter tradition featuring choreography by UW-Madison dance instructors transitions to a trio of webcast concerts, examining varied topics from our current pandemic-related limitations (and frustrations) to Gilded Age workers. Choreographers include Maree ReMalia (Friday), Collette Stewart and Christopher Walker (Saturday), and Karen McShane-Hellenbrand and Kia Smith (Sunday); the concerts will be presented via YouTube.
press release: The UW-Madison Dance Department presents Faculty Concert 2021, a live-stream event of dance works from Professor Chris Walker, Karen McShane-Hellenbrand, Collette Stewart, Maree ReMalia, and guest artist Kia Smith.
Ailey Gives Audiences A Glimpse Of the Renowned Choreographer Who Infused Memory Into Movement
Jamila Wignot unpacks Alvin Ailey s legacy as it stands now and how his spirit and mark on the dance world continue to thrive today.
When
Ailey opens, the late Cicely Tyson comes into focus, standing glorious and regal on stage at the Kennedy Center for the Arts honoring the famed dancer and choreographer. Even then, at the tail end of his life, Alvin Ailey’s legacy both in the dance world and in the Black community was thunderous.
Though he was an honoree at the Kennedy Center Honors just 30 years after founding the Alvin Ailey American Dance Theatre, not much was known about the reclusive dancer and choreographer’s personal life or past. Using his own words, never-before-seen interviews, archival footage, and accounts from those closest to him like Robert Battle, Carmen de Lavallade, and Judith Jamison, filmmaker Jamila Wignot unveils a figure for whom dancing and movement wa
The Crazy Real-Life Story Of The Woman Who Created Vampira United Archives/Getty Images
By William J. Wright/Jan. 25, 2021 1:25 pm EDT
In May 1954, insomniacs, TV junkies, and horror movie fans in Southern California would see something unlike anything else on the tube. At the stroke of midnight, viewers tuning into Los Angeles KABC-TV were greeted with the image of a ghostly figure slinking through a fog-shrouded hallway. Stepping into a tight closeup, a beautiful but vaguely sinister woman with impossibly arched eyebrows, coal-black hair, and deathly pale skin looked directly into the camera and emitted a blood-curdling scream, ushering in a new chapter in horror entertainment. This was Vampira, and television would never be the same.
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