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Tilda Swinton, 60, shows off her quirky sense of style with daughter Honor, 23, at Cannes

Share Joining the Scottish actress for the glitzy night out was her daughter Honor, who showcased her toned pins in a wrap skirt. The Souvenir actress looked stylish in a black miniskirt with white stars which she paired with fishnet tights. Wow! The Snowpiercer star, 60, wore an oversized white shirt which she paired with flared black trousers during Cannes Film Festival Pose: Scottish actress walked the red carpet with her daughter who looked showcased her toned pins Honor wore a black shacket with a white checkered pattern, the top exposed her toned midriff.  She completed her look with black open toe heels and her blonde locks were in a half pony tail. 

Les Olympiades, Birth of Desire at Festival de Cannes

Les Olympiades, Birth of Desire at Festival de Cannes L’équipe de L’Histoire de ma Femme ©YesICannes.com The race for the Palme d’Or continues on this ninth day of competition with Ildiko Enyedi’s The Story of My Wife and Jacques Audiard’s Les Olympiades. Hungarian director Ildiko Enyedi, winner of the Caméra d’or at the 1989 Festival de Cannes with her first feature film My 20th Century, enters the Competition with A Feleségem története (The Story of My Wife), the adaptation of the 1942 novel of the same name by Hungarian writer Milán Füst. After Un Prophète, Grand Prix du Jury de Cannes in 2009, and his Palme d’Or in 2015 for Dheepan, French filmmaker Jacques Audiard returns to the Competition with Les Olympiades, a ninth feature film that depicts a youthful, effervescent scene in the 13th arrondissement of Paris.

Paris, 13th District Film Review: Episodic French Drama Has Hip Vibe But Falls Short

‘Paris, 13th District’ Film Review: Episodic French Drama Has Hip Vibe But Falls Short Cannes 2021: Veteran director Jacques Audiard’s film has poise and style, but you can go in with high hopes and still leave wanting more Jason Solomons | July 14, 2021 @ 5:57 PM Cannes Film Festival “Paris, 13th District” starts with cool black-and-white drone shots of a concrete estate in the 13th arrondissement of Paris, and it comes from the hand of Palme d’Or winning director Jacques Audiard (“A Prophet,” “Dheepan”). So one could be forgiven for anticipating a tough, urban movie in the ground-breaking mold of Mathieu Kassovitz’s 1995 drama “La Haine.”

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