I do not envy those tasked with evoking the kinetic, effervescent, impermanent art of dance using the stolid, literal written word. For nearly a decade, I reviewed dance performances for the Columbus Dispatch, the metro daily newspaper in Columbus, Ohio. What I saw was often exciting the hushed solemnity of George Balanchine’s Serenade, the New York vim and vigor of Jerome Robbins’s Fancy Free, the disorderly mischief of the drag troupe Les Ballets Trockadero de Monte Carlo.
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