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Hurrah, it s leprosy! How a conservator and a historian are decoding the grisly tales in Canterbury Cathedral s stained-glass windows

A detail from North III, one of seven surviving 12th- to 13th-century Miracle Windows in Canterbury Cathedral. The entire 6m-high window will soon go on display at the British Museum in London having been reassembled correctly for the first time in centuries © The Chapter, Canterbury Cathedral The email message “It’s leprosy! Hurrah!” sent from Canterbury to Toronto last September was as joyous as it was brief. It solved a centuries-old puzzle and opened up a lost medieval world in glorious colour. The sender was Leonie Seliger, the glass conservator of Canterbury Cathedral, who had discovered leprosy spots on a figure depicted on the cathedral’s 12th- and 13th-century Miracle Windows. The recipient was Rachel Koopmans, a medieval historian at York University in Toronto, with whom Seliger is studying the windows’ graphic motifs. Together they are finally identifying the original narrative order of the stained glass, unravelling stories from the years

Entire 800-year-old stained glass window from Canterbury Cathedral to be centrepiece of British Museum exhibition

Entire 800-year-old stained glass window from Canterbury Cathedral to be centrepiece of British Museum exhibition Miracle window, Canterbury Cathedral, early 1200s. © The Chapter, Canterbury Cathedral. LONDON .- In April 2021, the British Museum will host the first ever major UK exhibition on the life, death and legacy of Thomas Becket, whose brutal murder inside Canterbury Cathedral in 1170 shook the Middle Ages. Thomas Becket: murder and the making of a saint (22 April – 22 August 2021) will chart over 500 years of history, from Thomas Becket’s remarkable rise from ordinary beginnings to one of the most powerful figures in England, through to his enduring but divisive legacy in the centuries after his death. The story will be told through an array of over 100 stunning objects brought together for the first time, including rare loans from across the UK and Europe.

Canterbury Cathedral windows depicting the miracles of Thomas Becket are being reassembled

Depictions of Becket (pictured) in the glass were later vandalised Experts analysing the glass under a microscope now believe the panels and scenes within the stained glass window were ‘bunged together’ in the wrong order when they were restored in the 1660s. The pieces being reassembled in the correct order involve a description of a man known as Ralph the Leper being cured below an image of another, Eilward of Westoning, being castrated and blinded as punishment for theft. When Eilward drank Becket’s blood after his death he is said to have regained his sight and organs. Experts could find no evidence of leprosy in that panel, but when they discovered sores painted on a man in the glass of another, Leonie Seliger, director of stained-glass conservation at the cathedral, said she scared colleagues by shouting: ‘Yes! We have leprosy!’

Murder in the Middle Ages: British Museum to tell story of Thomas Becket

Last modified on Mon 1 Feb 2021 07.11 EST One of the most shocking chapters of medieval history, embracing royalty, power, sacrilege and bloodshed, is to be told through the UK’s first major exhibition on the life, death and legacy of Thomas Becket, opening at the British Museum this spring. Its centrepiece is a stained glass window from Canterbury Cathedral, the scene of the priest’s brutal murder by four knights loyal to King Henry II in 1170. The 6-metre-high window, originally one of 12 ”miracle” windows created in the early 1200s, has never before left the cathedral nor been seen at eye level by the public.

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