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India s Boxout FM announces 48-hour radio fundraiser for COVID-19 relief

Leon Vynehall, Jacques Greene and more will play over the course of this weekend's fundraiser

Royal Blood, The Coral lead latest UK Record Store Chart

Royal Blood, The Coral lead latest UK Record Store Chart Royal Blood, The Coral lead latest UK Record Store Chart Royal Blood are also at number one on the UK’s main chart rundown. Royal Blood have debuted at the top of the UK Record Store Chart with Typhoons, immediately ahead of The Coral’s own new LP Coral Island. It’s a Top 20 dominated by new entries, more coming from the likes of Teenage Fanclub, Girl In Red, Pink Floyd, Gojira and Manchester Orchestra, but Waxahatchee does find room to climb from last week with her stand-out 2020 album Saint Cloud.

Leon Vynehall Rare, Forever | Review

Lockdown hasn’t always been kind to DJs. Normally the spin master extraordinaire – even if you’re checking out some Boiler Room set – is ensconced in a darkened club somewhere backed by a whoop-heavy crowd. Instead, over the last year we’ve been watching them stream live from their bedrooms, seen that the people we’ve paid lots of money in the past to take us away can’t seem to dance and could do with a little more Vitamin D with their three PM breakfasts. Leon Vynehall doesn’t really tick many of those front room boxes; cerebral but intense, the London-based producer is far from most people’s stereotypical producer.

Too Birds, Plaster of Paris and other local indie artists we re loving this fortnight

Too Birds, Plaster of Paris and other local indie artists we re loving this fortnight
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Leon Vynehall: Rare, Forever | Album Review (take 2)

Ever since 2014’s Music for the Uninvited, Leon Vynehall has built a reputation for crafting rich, orchestral leftfield house. His music has always had a refined approach the lavish strings, low-slung percussion, and delicate vocal cuts call to mind early 2000s Metro Area recordings. At its best, on songs like “Midnight on Rainbow Road”, Vynehall’s music seems to glide rather than dance, a blur of understated drums, echoing synths, and summery blue chords. It’s pure finesse and in the best possible sense. Vynehall is coming off arguably his most refined work yet, 2018’s Nothing Is Still, a moving, symphonic ode to his grandparents’ emigration to the United States. Now, three years later, the Los Angeles-based producer has switched gears and released something looser, heavier, and baggier.

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