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Chivalry is not about opening doors, but protecting society s most vulnerable from attack

Chivalry is not about opening doors, but protecting society s most vulnerable from attack
theconversation.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theconversation.com Daily Mail and Mail on Sunday newspapers.

Every King Arthur Retelling Is Fanfic About Who Gets to Be Legendary

Every King Arthur Retelling Is Fanfic About Who Gets to Be Legendary
tor.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tor.com Daily Mail and Mail on Sunday newspapers.

Is Line of Duty gaslighting me?

Is Line of Duty gaslighting me?
newstatesman.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from newstatesman.com Daily Mail and Mail on Sunday newspapers.

In Search of the Once and Future King: A Stranger In A Strange Land

In Search of the Once and Future King: A Stranger In A Strange Land A Connecticut Yankee in King Arthur’s Court . The past, if you will permit me to begin in the fashion of a high school book report, is a foreign country; they do things differently there. It is, or was, inhabited by people so very similar to us but whose modes of thought and world view were nevertheless informed by their differing social, cultural and political circumstances. The conventions and contextual underpinnings of these historical societies were plastic, changing over time in reaction to internal pressures and outside stimulus just as the shape and character of our own society is inevitably shifting around us. If the polities and civilizations of the past were malleable and occasionally even volatile constructs, so too were the cultural touchstones and inheritance that passed through them.

Holy grail or poisoned chalice: why does Hollywood always mess up King Arthur?

Last modified on Fri 26 Feb 2021 08.39 EST It’s a popular lament in the comment section of this column that Hollywood remakes are to be viewed with scorn and derision. But film-makers surely have a right to try to deliver a truly definitive big-screen version of a famous myth, even if dozens before them have failed miserably. Snyder is at his best when adapting bounteous source material and at his knuckle-headed worst when he is starting from scratch. Hence, his Watchmen is a lovingly vivid, gorgeously rendered adaptation of the classic Alan Moore graphic novel, while his Batman v Superman: Dawn of Justice is generally terrible, bar the rare moments when Snyder is cribbing directly from the comics.

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