The sequel to defeat was revolution a bitter struggle between nationalists and revolutionaries. Groszs observations of nationalist brutality made him one of the lefts most powerful propagandists. I felt the ground shaking beneath my feet, he said. And the shaking was visible in my work. His caricatures of weimar germany reject a society depraved by greed and power. Groszs contempt was shared by wider artistic developments in europe and america. Those developments became known as dada. Dada was like a storm that broke over the world of art. It had many centers from zurich to hanover, from cologne to new york and many sorts of artistic expression. Unlike grosz in berlin, these dada artists didnt see the exposure of Class Divisions as their central purpose. They attacked the foundations on which nations were built truth, beauty, reason, science. In the wake of the catastrophe, all these values were brought into question. In paris and new york, Marcel Duchamp produced his readymades a hat
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they first hired her they paid her $250 a month. she s coached some of the greats, including paula faris. yeah, i still remember that triple-double. in my sixth nationaling 4 le-double. let me tell you about a very important phone call i made.