I stand by my opinion that there are too many detective dramas. There are far too many
more detective dramas dealing specifically with the gruesome deaths of young women. The new, Kate Winslet-led drama on HBO Max,
Mare of Easttown, is one of these dramas. And yet, unlike so many other tired tales of borderline alcoholic cops and brutalized teenagers, it harnesses the stereotype to tell a bolder, smarter story, rather than regurgitating the same police propaganda we’ve had forced down our throats for decades.
To be clear, the audience is supposed to believe that, yes, deep down, Mare is a good cop. We just can’t be positive she’s a good person.
Stranger Things actor David Harbour, and the numerous (fake) cuts and bruises on his face.
On April 7, while on the set of
Stranger Things season 4, Harbour launched an Instagram Live, an activity generally frowned upon by studio execs for its tendency to leak spoilers. Harbour sported cuts around his jawline, forehead, and nose (with some dirt and grime rubbed in for good measure), giving fans plenty of reason to believe his character, Chief of Police Jim Hopper, isn t having such an easy go of this whole resurrection thing.
At the end of season 3, Hopper was presumed dead when Joyce Byers closed a Gate to the Upside Down with our favorite officer and pseudo-dad still trapped between it. Still, we should’ve known better than to assume anything when it comes to the Upside Down: It was soon revealed Hopper is alive, though relocated to a Russian labor camp (never a good sign) where prisoners are fed to a captured Demogorgon.
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Don t go into Hulu s new documentary,
Fyre and
Bad Blood, the only true connection between the three are an eccentric CEO and monumental crash-and-burn. But part of the joy of watching
Fyre and
Bad Blood was in witnessing the carnage, relishing in the ludicrous fraudsters unmasked. In
WeWork, there s instead a sense of bitter irony. This whole thing maybe could have perhaps
should have worked.
The China Hustle),
WeWork s director, never actually sits down with the face of the company, co-founder Adam Neumann, who made headlines after a disastrous IPO promptly shed billions off the business s valuation. Instead, Rothstein knits together found footage and interviews with former employees to paint a mosaic of Neumann, and more importantly of Neumann s vision the ideology that shaped WeWork into a unicorn. So much of it was facade, yes a facade and greed. But unlike his documentary-subject predecessors, Neumann was not a complete fraudster. There was an inkling of a real
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