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The Dead City, English National Opera review - strong dream-world, weak love-story

Taxing lead roles bravely taken, but Korngold's life-over-death dynamic doesn't quite work. Opera review by David Nice

Simon stoneUnited kingdomRolf romeiPaul schottHugh francisKirill karabitsJames farncombeAudun iversenFritz pierrotRolf romei paulJonas kaufmannRhian loisWililiam morganMiriam buetherSarah connollyClare presland

The Dead City review – study of grief, guilt and obsession unsettles and enraptures | Opera

Annilese Miskimmon’s new production of Korngold’s hallucinatory 1920 work sacrifices some of its disturbing power but musically it is magnificently alert to the mood-shifts and beauty of its sound-world

Annilese miskimmonGeorges rodenbachAllison oakes mariettaRolf romei paulSarah connollyKirill karabitsFrank audun iversenDead cityDie tote stadtRolf romeiAllison oakesLauren bridleAudun iversen

The Dead City, ENO, review: murder, lust and deranged grief

In this new ENO production, Korngold’s hallucinatory opera boils with atmosphere and tests two excellent lead singers to their limits

United kingdomCity ofGeorges rodenbachRolf romei paulErich wolfgang korngoldKirill karabitsMiriam buetherAllison oakes mariettaKelley rourkeAnnilese miskimmonArts councilEnglish national operaEnglish nationalLauren bridleAllison oakesDead city

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