washington tonight , cutting losses. that s the focus of tonight s angle. now it s natural that we as humans often have a hard time letting go , admitting to ourselves that the path we re on is a dead end, that the goal we set is unattainable or that the cost of achieving are just too high. instinctively we feel like ending something prematurely. maybe it s a sign of weakness that quitting for losers but especially in politics the opposite is often true with joe biden as president, there are sadly many areas where america needs to cut her losses first we need to cut our losses in ukraine. if you hadn t noticed, the ukrainians are not winning as our own nation is hurting. we ve allocated more than fifty three billion dollars and counting in humanitarian military aid to help them beat back the russians. but now well, here s a headline from bloomberg. putin may win in ukraine, but the real war is just starting and more americans now say russia rather than ukraine is winning th
hello and a very warm welcome to the film review on bbc news. and taking us through this week s releases is, as you see, mark kermode. hi, mark. hi. what have you been watching? well, as always, a very mixed bag. we have where the crawdads sing, which is an adaptation of a very popular novel. we have she will, which is the feature debut from charlotte colbert. and kurt vonnegut: unstuck in time, a documentary about the american writer. good old mixture there, yes. yes. so, where the crawdads sing, which is an adaptation of the deep south novel which became a publishing sensation millions and millions of copies sold. this is adapted by lucy alibar, who is best known for beasts of the southern wild. one of the producers is reese witherspoon, so very, very good pedigree. yes. daisy edgar jones is kya, who is called the marsh girl . she grew up amidst the marshes of the deep south, fending for herself, understanding nature. at the beginning of the film, we see her being arrest
so on the one hand, you ve got the court case, then you have the flashbacks to her life, her childhood abusive father, abandoned by her mother relationship with two boys, both of whom let her down. two young men, i should say. the book was a huge hit. the film s credentials are impeccable. and yet, and i hate to say this, it all felt very lukewarm. now, i haven t read the book, so i don t know how somebody who had read the book would feel about it. i know that whenever a book is this popular, it s always very difficult doing an adaptation. yes. there were moments in this in which i could almost hear the book behind it, thinking, ok, i can sort of see what the text would have been. the performances are good. i mean, it s a very good cast, it s very well done. the production design is really beautiful. but it all feels very safe. it deals with some dark subject matter, but it feels like a very polite treatment of that subject matter. and i kept thinking, somewhere in here t
good to have you on, really high. thank you both, always good to have you on, aubrey - really high. thank you both, always good to have you on, aubrey and i good to have you on, aubrey and jerry. thank you for watching. the film review is next. goodbye. hello and a very warm welcome to the film review on bbc news. and taking us through this week s releases is, as you see, mark kermode. hi, mark. hi. what have you been watching? well, as always, a very mixed bag. we have where the crawdads sing, which is an adaptation of a very popular novel. we have she will, which is the feature debut from charlotte colbert. and kurt vonnegut: unstuck in time, a documentary about the american writer. good old mixture there, yes. yes. so, where the crawdads sing, which is an adaptation of the deep south novel which became a publishing sensation millions and millions of copies sold. this is adapted by lucy alibar, who is best known for beasts of the southern wild. one of the producers is r