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The Dog Who Wouldn t Be Quiet Review: A Shimmering Vision of Life s Ordinary Strangeness The Dog Who Wouldn t Be Quiet Review: A Shimmering Vision of Life s Ordinary Strangeness
A gentle man loses and finds himself repeatedly in the early middle of his life in Ana Katz s superb, deceptively spacious sixth feature.
Jessica Kiang, provided by
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Director: Ana Katz
With: Daniel Katz, Valeria Lois, Julieta Zylberberg, Lide Uranga, Raquel Bank, Carlos Portaluppi, Marcos Montes, Mirella Pascual, Elvira Onetto. (Spanish dialogue)
Running time: Running time: 73 MIN.
Courtesy of Luxbox Films
The enigma, at the beginning, is that the dog makes no noise. Unless you count the tinkling of his bone-shaped name-tag as he snuffles doggishly around the yard. Neighbors come by, politely, to complain about his whimpering, and his owner acknowledges the problem apologetically, but if he’s noisy, it happens offscreen. It’s that way with a lot of the inferred noise in A
Passing
The indie film showcase s pandemic-era program also has directorial debuts by Jerrod Carmichael, Pascual Sisto and Questlove with his Black Woodstock documentary.
As Sundance director Tabitha Jackson s reign at the indie film festival gets well underway, the marquee indie U.S. film showcase has gone mostly online with a pandemic-era discovery lineup filled with work by women and BIPOC directors and more than half the 2021 program shot by first-time helmers.
For Jackson, the focus on debut feature directors underlines how, despite the COVID-19 crisis pausing film production in Hollywood and upending planning for Sundance s upcoming Jan. 28 to Feb. 3, 2021, edition, the marquee festival isn t playing it safe as it doubles down on revealing new independent voices to the world.
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When the Sundance Film Festival kicks off on January 28, 2021, in Park City, Utah, there won’t be a long line of people standing outside the Eccles Theater, watching their breath catch in the cold winter air and Main Street surely won’t be packed with revelers and sponsor activations, either.
Instead, on account of the coronavirus pandemic, next year’s Sundance will actually expand amid the contraction of live events. Rather than relying solely on in-person experiences, the festival has plans that extend far beyond the theater: a digital platform where patrons around the world can watch this year’s lineup; drive-in screenings at venues around the country; in-person showings at independent art houses nationwide where indoor events can happen safely and in accordance with public health guidelines; and even a virtual reality space that includes live performances and a lobby where people can digitally congregate.
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