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Page 21 - Laura Aguilar News Today : Breaking News, Live Updates & Top Stories | Vimarsana

Aesthetica Magazine - 10 to See: Pride Month 2021

This June, discover must-see online shows, publications and videos – featuring powerful and inspiring artwork from across the globe.

What to See in the US Now Frieze Week s Over

‘There must be two Americas,’ wrote Mark Twain in 1901. ‘[O]ne that sets the captive free, and one that takes a once-captive’s new freedom away from him, and picks a quarrel with him with nothing to found it on; then kills him to get his land.’ The quote is from Twain’s essay, ‘To the Person Sitting in Darkness’, in which the writer condemns Western imperialism in southeast Asia. The artist Stephanie Syjuco borrowed Twain’s title for her 2019 work: a flag for the then-US territory of the Philippines as described by Twain, resembling the American design but with ‘white stripes painted black and the stars replaced by the skull and cross-bones’. –

Artists in a Post-George Floyd, Mid-Pandemic World

Artists in a Post-George Floyd, Mid-Pandemic World Two new exhibitions at Mass MoCA created over the past year offer insights into our new normal. “Close to You,” an exhibition at Mass MoCA, gathers works that address the need to remake connections. Maren Hassinger’s “Love” includes pink bags filled with love notes expressions of care when touch has been impossible.Credit.Will McLaughlin By Aruna D’Souza May 13, 2021Updated 11:21 a.m. ET Two shows that recently opened at the Massachusetts Museum of Contemporary Art are keyed to our new normal: One came into being during the most restrictive moments of the pandemic; the other, though long planned, shifted its focus as these past, momentous months unfolded. Conceptually, both address the questions personal and political that are on many minds at the moment.

She turned her audacious lens on herself, and shaped the future

She turned her audacious lens on herself, and shaped the future Laura Aguilar, Los Illegals, 1984. Gelatin silver print, 11 x 14 inches. Courtesy of the artist and the UCLA Chicano Studies Research Center © Laura Aguilar. by Holland Cotter (NYT NEWS SERVICE) .- It feels good — a relief — to know that photographer Laura Aguilar, who died in 2018, lived long enough to see her fine career survey, which opened a year earlier in her hometown Los Angeles and has now, at last, landed in New York. It’s a movingly, sometimes discomfortingly intimate show. To know Aguilar’s art is, to an unusual degree, to know her, and to care about her, and to care about what she cared about: under-the-radar, under-threat social communities and hard-won personal survival.

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