Heritage architect Chiara Rostagno insists, though, that while it is a religious painting the tragic scene of the betrayal of Christ she has come to think of it as more human than religious
While origins of the white marble busts are yet to be firmly established, name of Francesca Maria Schiaffino engraved on the back of the busts, made Chiara Rostagno claim they were from Genoa in northern Italy, where sculptor’s workplace and studio was