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Joanne Robertson’s three large-format oil paintings hold the room at Sandy Brown, where the effusive quality of their bright, loping tangles seems to open up the Berlin gallery’s tiny storefront. Swathes of blue in subtly varied hues form a thread between Dawn, Howl, and Last Sun (all 2022), each of which conveys a state of tentatively resolved chaos. These are pretty paintings. There is something earnest about their attention to the emotive potential of complementary colors, as in the light orange and fainter purple that seem to rise to the surface against kinetic blue and yellow marks in Dawn

United statesSandy brownCamila mchughJoanne robertsonJoan mitchellLast sunMaybe robertson