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The opening shot of “Permanent Record” is ominous and disturbing, and we don’t know why. In an unbroken movement, the camera tracks past a group of teenagers who have parked their cars on a bluff overlooking the sea, and are hanging out casually, their friendship too evident to need explaining. There seems to be no “acting” in this shot, and yet it is superbly acted because it feels so natural that we accept at once the idea that these kids have been close friends for a long time. Their afternoon on the bluff seems superficially happy, and yet there is a brooding quality to the shot, perhaps inspired by the lighting, or by the way the camera circles vertiginously above the sea below. The following scenes unfold, it seems, almost without plan. We meet a couple of kids who play in a rock band together, and try to sneak into a recording studio, and are thrown out, and arrive at school late. We meet the high school principal, a man who is enormously intriguing because he reveals

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