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Largest ever survey of Moroccan art opens at Reina Sofia Museum

Largest ever survey of Moroccan art opens at Reina Sofia Museum Installation view of Moroccan Trilogy 1950-2020. Andre Elbaz, Urnes. Museo Nacional Centro de Arte Reina Sofia. Photographic Archive of Museo Reina Sofia. MADRID .-Museo Nacional Centro de Arte Reina Sofia in Madrid presents Moroccan Trilogy 1950-2020, a sweeping survey of the culture of Morocco from the 1950s to the present day, running from 31 March - 27 September 2021, in a unique collaboration with Mathaf: Arab Museum of Modern Art Qatar Museums and Qatar Foundation. The show features more than 250 works by 60 artists, including a series of important works from the collection of Mathaf, as well as archival material drawn from private and public collections. The exhibition also premieres or re-activates a number of works, and includes several new commissions.

Tanger teuanAd daw ahFrance generalRabat saleemmour zaëmoCzech republicGrand casablancaKingdom of moroccoHicham benohoudChaibia talalAli essafiSelma zerhouniAbdellah karroumYassine balbziouiDon quichotteManuel borja villelYto barrada

Exhibition spans more than 3,500 years to offer various degrees of ventriloquized voices

Exhibition spans more than 3,500 years to offer various degrees of ventriloquized voices Installation photograph, NOT I Throwing Voices (1500 BCE-2020 CE), Los Angeles County Museum of Art, 2021, photo © Museum Associates/LACMA. LOS ANGELES, CA .-The Los Angeles County Museum of Art is presenting NOT I: Throwing Voice (1500 BCE2020 CE), an exhibition using ventriloquism, literally and liberally, to explore the representations of sounds and voices and their disquieting capacity of refraction, synchronicity, and misdirection. Ventriloquism relies on the confusion between sight and hearing, performer and puppet, silence and speech; and confronts issues of identity, embodiment, agency, performance, and objecthood. Even the most conventional ventriloquist sketch is defined by the continuous recasting of questions on the imbricated relationship between voice, speech, identity, and authority: Where is the voice coming from? How is that voice split into many bodies? Whose voice is thi

Luis carcedoEdward ruschaPatricia fernCamila marAlexandre vattemareLuis blondetOlivo kurikiRaven chaconLos angeles public libraryLos angeles county museum of artLos angeles county museumThrowing voiceWoman making rabbit shadowSmall boyAncient americasAngeles based patricia fern

The Museo Nacional del Prado pays tribute to its own history with a permanent installation

The Museo Nacional del Prado pays tribute to its own history with a permanent installation Image of the exhibition galleries Photo © Museo Nacional del Prado. MADRID .-The Museo del Prado opened its doors for the first time on 19 November 1819 with the name of Real Museo de Pintura y Escultura. That early museum displayed only 311 works, all of them by Spanish painters. Now, 200 years on, the Museo del Prado is considered Spains leading cultural institution, shared cultural patrimony of which all Spaniards are proud and a legacy of incalculable value in the history of culture. Taking the evolution of the Museums architecture as its guiding thread, this new installation offers a reflection on the historical and political events which transformed the initial Real Museo into the public institution of international renown which it is today. In parallel, the display shows the changes and modifications that have come about over time in terms of the Museums public image, its st

Miguel falomirPatrimonio nacionalPinturay esculturaFernando brambillaRafael moneoAlfonso fernMuseo del pradoReal museo de pinturaReal museoNormal fosterInstitutional relationsArt galleryFantasy artLandscape artAbstract artFine art

Amanda Phingbodhipakkiya unveils powerful & timely installation in Meatpacking District

Amanda Phingbodhipakkiya unveils powerful & timely installation in Meatpacking District The installation from the NYC Commission on Human Rights and Public Artist in Residence Amanda Phingbodhipakkiya integrates visual art and technology to create a large-scale sculptural representation of the stories of survivors. NEW YORK, NY .- The New York City Commission on Human Rights announces the latest work from Public Artist in Residence (PAIR) Amanda Phingbodhipakkiya entitled May We Know Our Own Strength. Located in Meatpacking District in partnership with the local Business Improvement District (BID), the interactive installation transforms the accounts of survivors of sexual and gender-based violence into large, room-scale sculptures. The installation employs sixteen internet-connected printers, placed in a high-traffic storefront window, that will relay anonymous survivors stories provided through an online submission form.

New yorkUnited statesJeffrey lefrancoisSuncha kimDaoyou fengGonzalo casalsAmanda phingbodhipakkiyaCarmelynp malalisCommission on human rightsDepartment of cultural affairsYork city commission on human rightsMembers of the councilSolidarity councilCultural affairsYork peace instituteNew york city commission

Pace Gallery opens Marina Perez Simão s first solo exhibition in New York City

Pace Gallery opens Marina Perez Simão s first solo exhibition in New York City Marina Perez Simão, Untitled, 2021. Oil on canvas, 78-5/8 × 97 (199.7 cm × 246.4 cm). © Marina Perez Simão. Courtesy of the artist, Mendes Wood DM, and Pace Gallery. NEW YORK, NY .-Pace Gallery is debuting São Paulo-based artist Marina Perez Simãos first solo exhibition in New York City. Rooted in the natural landscape of her native Brazil, Simãos luminous oil paintings pulse with a magnetic, musical, and hypnotic presence that make the viewers eye dance. Influenced by painters such as Tarsila do Amaral, Agnes Pelton, and Luchita Hurtado, Simãos work is situated within a larger constellation of artists who have similarly used the landscape to explore the metaphysical elements of nature. With the artists new series of paintings, which have been unveiled at Paces New York space this spring, Simão presents a symbol of hopea beacon for a future not yet mapped out but filled with

New yorkUnited statesRio de janeiroEstado do rioMinas geraisGrande sertLuchita hurtadoMarina perez simAgnes peltonSamdani art foundationUniversity of chicagoSpeed art museumPace galleryPerez simArt moderneEkard collection

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