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Ferrum College professor Lana Whited’s latest book, 36 years in the making, got its start with a curious experience she had while seeking to purchase a copy of Truman Capote’s “In Cold Blood.” “There’s a kind of confusion with regard to classifying books like that,” Whited said. In “Murder, In Fact,” she takes a closer look at the tradition of murder narratives that combine factual reporting with fiction writing techniques, such as John Grisham’s “The Innocent Man,” Theodore Dreiser’s “An American Tragedy,” Richard Wright’s “Native Son,” Norman Mailer’s “The Executioner’s Song,” and Capote’s masterpiece.

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