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Every cinematographer prizes those spontaneous, magic moments what photographer Henri Cartier-Bresson called “the decisive moment” when the essence of the film crystalizes before the lens both visually and thematically. For Quyen Tran, Tobias Schliessler Chris Menges and Ben Smithard, their favorite shots from the notable new films they photographed all capture that ineffable yet decisive scene when the actors’ performances deepen our understanding with new layers of meaning. And in more than one case, these shots seem to epitomize the heartbreaking pain, trauma or isolation at the heart of the story.
Quyen Tran, “Palm Springs” (Hulu)
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directed by Max Barbakow)