The money was good, so Ho Wai Sum, 58, signed up as an anti-epidemic taxi driver ferrying Covid-19 patients with mild symptoms to and from outpatient clinics in Hong Kong. Two weeks into the job, however, he is still disturbed by the looks he gets from strangers, discriminatory treatment and being targeted by social media users who post pictures and.
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Dear Shareholders, On behalf of the board ( Board ) of directors ( Directors ) of Austar Lifesciences Limited ( Company ), I am pleased to present the annual report of the Company and its subsidiaries (collectively as the Group or AUSTAR ) for the year ended 31 December 2020 ( Year ). The year 2020 has been a challenging year for any individual, company and organization under the impact of the COVID-19 pandemic and its consequential policies. From a global perspective, the pandemic has not been slowing down even though China s pandemic conditions had become far stable and under extraordinary control. Under such conditions, the Group has been reacting, responding and acting during such extraordinary moments. Our colleagues could never have believed they were able to deliver our critical utilities and bioprocess systems to our COVID-19 vaccine manufacturer clients within 3 months from order to completion of installation and commissioning with construc
Skip to main content Limbo Review: A Stylish but Sordid Hong Kong Cop Thriller That Doesn t Know When to Quit Limbo Review: A Stylish but Sordid Hong Kong Cop Thriller That Doesn t Know When to Quit
An ultimately dubious exercise in genre-mandated misogyny is given a glossy finish with inspired action and slick, b/w photography.
Jessica Kiang, provided by
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Running time: Running time: 118 MIN.
Courtesy of Sun Entertainment Culture
Oh great, another movie about dead girls and the grizzled cop/greenhorn cop duo tracking their killer. At least “Limbo,” from Soi Cheang (the “Monkey King” franchise) looks slick often literally, with photogenic rain showers making its trashed Hong Kong slum locations as reflective as silver. The monochrome gloss smoothes over the joints between chunks of narrative and stock characters that seem lifted wholesale from other cop thrillers, though the genre’s fondness for torturing women to motivate men remains sadly