It’s funny. It’s somber. It’s as baffling as free-association poetry. It’s as direct as a punch in the gut. It’s sweeping to the point of grandiosity. It’s minutely particularized. It’s a one-man show until it isn’t.
In John Kolvenbach's solo play "Stand Up If You're Here Tonight," a character called the Man forms a relationship with the audience. And like any successful relationship, neither party can be passive.