WHEN CONFRONTED by a Japanese journalist about the scandal that haunted the previous Aichi Triennale, artistic director Kataoka Mami responded with: “This has been asked too many times,” and “Let the [current] exhibition speak for itself.” Leaving us “outsiders” stunned, these statements seemed calibrated to banish from our minds that now-distant conflict, when outrage over a sculpture commemorating Korean women enlisted into sexual slavery by the Japanese military forced the closure an entire section of the exhibition (ironically titled “After Freedom of Expression?”), let alone the myriad
「ザワつく！金曜日」コンサート初開催！高嶋ちさ子＆石原良純＆長嶋一茂ら 秋に大阪城ホール＆日本武道館― スポニチ Sponichi Annex 芸能
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MOONSTARの可愛くなりたい小学生女子に向けたカテゴリー『Ni-mo(R)』から2021年秋冬シーズンの新作が登場
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コンドウアキさん 企画展とサイン本販売のお知らせ
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