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Historic Deerfield webinar to look at clothing trades, equity

Historic Deerfield webinar to look at clothing trades, equity Updated 5:38 AM; Facebook Share Many people today are increasingly concerned about transparency, equity and the environmental impact of the clothing trades. “Where our clothes are made and under what conditions are now seen to reflect us as a society,” said David E. Lazaro, Historic Deerfield’s curator of textiles. “That concern also acts as a lens through which to view clothing and textile production in the past. Understanding labor and technology patterns increases what we can learn about ourselves and makes us more informed about the choices we make today.” Historic Deerfield will present a virtual forum, “Invisible Makers: Textiles, Dress, and Marginalized People in 18th- and 19th-Century America,” on Saturday, April 10, from 9:15 a.m. to 4:45 p.m.

JFH News: BRIDE to Reissue Snakes in the Playground and Kinetic Faith on Vinyl and CD

February 16, 2021 Wilmington, NC – Feb. 15, 2021 Girder Records is proud to announce the re-release of two of Christian rock’s most iconic albums from Christian metal band Bride. Snakes in the Playground and Kinetic Faith will be completely remastered and release on CD as well as colored vinyl on May 21, 2021 with pre-orders starting on Feb 26, 2021.   It will mark the first time that these classics have been made available in the vinyl record format.   Kinetic Faith was released in 1991 with Snakes in the Playground following in 1992 and were the band’s two most successful albums garnering mainstream attention and radio airplay across the world.  The band received three DOVE AWARDS™ for HARD MUSIC RECORDED SONG OF THE YEAR: two songs from the album

Derek Kitchen and Ephraim Kum: Let s all be on the right side of Black (American) history

What an Abolitionist Exhibition Looks Like in a Carceral World

Featured in What an Abolitionist Exhibition Looks Like in a Carceral World At MoMA PS1, New York, Nicole R. Fleetwood curates a show that considers the artistic output of those irrevocably shaped by the conditions of the prison industrial complex ‘Mass incarceration’, a phrase that has gained much purchase in the last two decades, features prominently in the title of ‘Marking Time: Art in the Age of Mass Incarceration’, an exhibition at New York’s MoMA PS1 and a book published by Harvard University Press. Both are the culmination of more than ten years of effort by Nicole R. Fleetwood, Professor of American Studies and Art History at Rutgers University. Describing a phenomenon that began in the late 1960s – in which the prisons system ballooned exponentially – the term ‘mass incarceration’ is sometimes poorly interpreted, taken to mean that the problem is only one of scale or degree, not of kind. Today, many are convinced that there are too many

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