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The Big O navigates Lucy’s self-loathing and PTSD in an inspirational journey, but, while the topic is loudly and proudly urgent, the play falls short on many levels. This said, it’s most definitely not a lost cause. Even though it’s all over the place at this stage, Kim Cormack’s exploration of female intimacy and the performative side of sex is an intriguing, necessary subject.
Culture Writer Abbie Fitton reviews The Big O and finds the production to present female sexuality with unforgiving humour whilst being a great step forward towards discussions of assault