There is absolutely nothing to worry about if the Fast-track Approvals Bill gets passed into law and Shane Jones gets extraordinary powers to decide on consent applications which normally would be subject to enormous rigour and oversight.
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The pauses in Sandy's monologues were worthy of Beckett. Critics acclaimed a ‘darkness reminiscent of Philip Larkin’, ‘Ezra Pound with the lights out’ and a pervading ‘Checkovian melancholy’. Barry more prosaically described Sandy as the voice of a different and vanishing Melbourne 'talking in its sleep'