Get your own copy of this album at SwapaCD.com. If you're not yet a member, your first 2 cds and membership are free! All you have to do is post 10 cds you want to get rid of. Visit the site to find a huge selection of music!
Texas Music Presents: 31 Flavors of Love - Texas Music Magazine txmusic.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from txmusic.com Daily Mail and Mail on Sunday newspapers.
The Graham Concert Association announced their new season this month, following a year where only one performance was held due to restrictions from the COVID-19 pandemic.
Kelly Willis
Looking For Someone Like You
River Of Love
Sincerely (Too Late To Turn Back Now)
Baby Take A Piece Of My Heart
The Heart That Love Forgot
I ll Try Again
Get Real
I Know Better Now
Whatever Way The Wind Blows
One word describes this overview of Willis s three years with MCA Nashville: maddening. Willis has everything: a flawless, classic country voice; a dreamy face; a shrewd eye for catchy but complex material; and a rock-stea.
more »dy band. Nashville and country radio should have been ready for her earthy sophistication and guileless talent; they weren t she never cracked the Billboard Top 50 but neither was the shy, stubborn Willis ready to compromise. From 1990 to 1993, her MCA run left some fresh, exciting country music. Her biggest hit, Baby Take a Piece of My Heart, only hints at the fiery Little Honey (written by Dave Alvin), the effortless swing of Heaven s Just a Sin Away, the Bakersfield-flavored Looking for Someone Like You, and th
Bandcamp
Alongside Austin s Dicks and Big Boys, Houston s Really Red proved as integral to early-Eighties American punk
culture as Black Flag or Dead Kennedys. Lasting 1978-85, the aggregation of singer/frontman Ronnie U-Ron Bondage Bond, drummer Bob Weber, guitarist Kelly Younger, and bassist John Paul Williams rarely followed regulation punk templates. Old enough to recall Texas psychedelia on ramalama like Crowd Control, their trace elements of art-damaged funk and blues seeped into – from 1981 onward – the band s ballistic thrashing à la Bad Brains on tracks such as I Was
a Teenage Fuckup.
Meanwhile, Bond s lyrics engage race, sexuality, police brutality, and resistance to authoritarianism.