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Perhaps the most infamous clip of Hayao Miyazaki the Studio Ghibli co-founder whose name remains synonymous with the studio’s work is of his reaction to a CGI animation demo: “I would never wish to incorporate this technology into my work at all,” the animation master says. “I strongly feel that this is an insult to life itself.” The context alters his meaning a little the animators have presented a model of a zombie whose movements they describe as grotesque, to which Miyazaki takes offense given his friendship with someone whose physical disability is so severe that he finds even giving a high-five to be difficult but Miyazaki’s strong words (he reduces the animators to tears) and his declaration, later, that the animators’ desire to build a machine capable of creating art feels like a sign of the end times make a total pivot to computer animation for Studio Ghibli seem unthinkable. Which is why the existence of the studio’s latest film, the completely computer-anim

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