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Bandcamp / Buy Like a surfer at sunrise, or a lieutenant general girding for a melee attack, ska fans are always scanning the horizon for the next wave. The Jamaican first wave reshaped music; the British second wave proposed a cross-racial, working-class solidarity. At the back half of the 1990s, a slew of screwy ska-punk from like Less Than Jake, Reel Big Fish, and Dance Hall Crashers introduced the actual idea of a wave: ska as a natural, recurrent phenomenon. Since then, the big question is… has that fourth wave hit yet? Should we celebrate or dread its arrival? Are chart hits the harbingers? Perhaps it happens when ska is spliced into new contexts. At some point, the indefatigable underground punk icon Jeff Rosenstock took his place at ska’s vanguard. After the dissolution of his Long Island ska-punk act Arrogant Sons of Bitches, Rosenstock recorded an album—which he credited to “Bomb the Music Industry!”—at home. 2005’s

Long islandEilean siarUnited kingdomUnited statesJeff rosenstockTaylor swiftAngelo mooreJah jerryGeorge clarkeElise okusamiKevin higuchiMike parkTomas kalnokyBrian wilsonAsian man recordsSkatune network