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Curator Allison Glenn Embraces Simple Pleasures and Art That Pushes the Boundaries of Public Space

Artist s style features natural materials, geometric shapes

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   by Antonia Gabassi BERLIN .- There’s an interesting story behind the curation of the latest exhibition at the Galerie Kornfeld, in the resurgent City West region of the German capital. The show is called ‘The Day I Never Met You’, and it is a billed as being a ‘conversation’ between the contemporary British artist Alexander Adams, and the late Georgian painter Natela Iankoshvili, whose estate is represented by the gallery. On first viewing one might assume that the painters were chosen because of their differences, rather than their similarities. Adams has renounced colour, painting in black, white and many shades of grey. Iankoshvili – who died in 2007 – loved applying broad brush-stokes of vibrant greens, yellows and blues on black-primed canvases. But when you look closely into the art and the artists, the similarities abound. Both apply themselves to landscapes and . More

Blue Star Contemporary presents the work of Doerte Weber, Joanna Keane Lopez, and Terran Last Gun

Blue Star Contemporary presents the work of Doerte Weber, Joanna Keane Lopez, and Terran Last Gun Ruth Buentello, Last Supper. SAN ANTONIO, TX .-Blue Star Contemporary, San Antonio’s first and longest-running contemporary art nonprofit, announces the opening of three new summer 2021 exhibitions. The solo exhibitions feature the work of Doerte Weber, Joanna Keane Lopez, and Terran Last Gun. Doerte Weber presents Shed, a collection of weavings reflecting on COVID-19, everyday life during the pandemic, and climate issues. Joanna Keane Lopez is a multidisciplinary artist whose work blurs boundaries between contemporary sculpture and architecture through the medium of adobe mud. Her BSC presentation will include a newly commissioned sculptural work. Terran Last Gun presents an exhibition of ledger drawings, a form which rose to prominence among Native American artists in the mid-1800s and continues today.

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