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Carve-out deals by tech firms just tip of the iceberg : Carlyle Japan chief

3 Min Read TOKYO (Reuters) - Recent carve-out deals by tech giants such as Hitachi Ltd are just the beginning of potential divestitures of non-core assets by Japanese firms, U.S. buyout firm Carlyle Group’s Japan chief said. Slideshow ( 2 images ) The comments come as Carlyle recently successfully exited one of its own investments and sees plenty of opportunities for private equity firms in the horizon in Japan. “These are just the tip of the iceberg,” said Kazuhiro Yamada in an interview with Reuters, referring to a flurry of recent non-core asset sales by Hitachi, Panasonic Corp, and Toshiba Corp . “There are still a substantial number of firms with hundreds of subsidiaries in Japan, and these firms are considering various options.”

Carve-out deals by tech firms just tip of the iceberg : Carlyle Japan chief

Carve-out deals by tech firms just tip of the iceberg : Carlyle Japan chief
metro.us - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from metro.us Daily Mail and Mail on Sunday newspapers.

Carve-out deals by tech firms just tip of the iceberg : Carlyle Japan chief

Carve-out deals by tech firms just tip of the iceberg : Carlyle Japan chief
reuters.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from reuters.com Daily Mail and Mail on Sunday newspapers.

Interview: Akudama Drive Assistant Director Yoshifumi Sasahara

Kino s Journey - The Beautiful World. Were there any experiences from those series that helped you when it came time to put together Akudama Drive? I ve actually been involved with director Taguchi since before Persona. I ve been with him for around ten years. I heard from my mentor that there was an active unit director in the same generation as me, so I met him. I think that was the first time. After that, there were many cases where I worked as a unit director on things that Taguchi had storyboarded, some of them by sheer coincidence. Maybe we grew accustomed to each other, but the visuals Taguchi envisioned wouldn t differ too much from the final look when we worked together. I think that s one of the reasons why I ended up working on his storyboards.

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