New York, NY (PRWEB) March 24, 2022 The Getty Foundation and the American Council of Learned Societies (ACLS) are pleased to announce the 2022 recipients
Underexamined, women-led pattern and decoration movement explored in expansive exhibition
Installation image of With Pleasure: Pattern and Decoration in American Art 1972-1985, June 26 November 28, 2021. Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-onHudson, NY. Photo: Olympia Shannon.
ANNANDALE-ON-HUDSON, NY
.-The Hessel Museum of Art is presenting With Pleasure: Pattern and Decoration in American Art 19721985, the first full-scale scholarly North American survey of the groundbreaking yet understudied Pattern and Decoration art movement, originally on view at The Museum of Contemporary Art, Los Angeles (MOCA), from October 2019 to March 2020.
Spanning the years 1972 to 1985 and featuring 45 artists from across the United States, With Pleasure examines the Pattern and Decoration movements defiant embrace of forms traditionally coded as feminine, domestic, ornamental, or craft-based and thought to be categorically inferior to fine art. On v
Email is invalid
Left: Barbara Zucker, Blushing Bride, 1977. Marieluise Hessel Collection, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York. Photo by Chris Kendall. Right: Betty Woodman, Zante, 1985. Courtesy of Charles Woodman/Estate of Betty Woodman, David Kordansky Gallery, Los Angeles, and Salon 94, New York. Photo by Thomas Muller.
With Pleasure: Pattern and Decoration in American Art 1972â1985, the first full-scale scholarly North American survey of the groundbreaking yet understudied Pattern and Decoration art movement, originally on view at The Museum of Contemporary Art, Los Angeles (MOCA), from October 2019 to March 2020.
Spanning the years 1972 to 1985 and featuring 45 artists from across the United States,