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Robert Ashley’s Foreign Experiences

At this premiere night for a new production of Ashley’s Foreign Experiences, the stage holds seven desks, each fronted by a piece of corrugated metal. Hanging at the back are some large sheets of metal, with a small window set high into one. The feeling is a bare room at night, a space for an isolated figure alone with their thoughts. There’s nothing left but the mind of madness.

Courtney Bryan s music brings it all together

Review: An Espionage Opera Remains Enigmatic and Urgent

Robert Ashley’s “eL/Aficionado” is receiving a rare revival that is a testament to its vitality.

A Spy Opera (or Is It?) Returns to the Stage

Courtney Bryan s Requiem had to wait out the pandemic — now on CSOtv, it s all the stronger for it Because we aren t the same

Courtney Bryan s Requiem had to wait out the pandemic — now on CSOtv, it s all the stronger for it Because we aren t the same
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