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Maruani Mercier presents works celebrating the power of an inspiring and highly symbolic colour: Black Allan McCollum, Three individual «Plaster Surrogates», 1984. Each signed ‘Allan McCollum’, dated 10-15-84 (M-15), 20-18-84 (M-18) and 5-19-84 (M-19) and inscribed with respective M numbering on the reverse. Enamel on cast hydrocal plaster in three parts, a) 21,6 x 16,5 x 2 cm b) 15,2 x 12,7 x 2 cm c) 15,2 x 10 x 2,2 cm. KNOKKE .- The perception of colours and its use has always been cultural and ideological. A colour is often associated to an economic, political, social, symbolic issue within a specific context. “Any history of colours must first be a social history.” In this sense, the colour is a fact of society and as for each colour, the nature of black is twofold as it has been developed by the historian Michel Pastoureau in his book Noir: Histoire d’une couleur. The black colour sometimes cumulates at the same time pejorative charge and elective value. Over the ce

United statesUnited kingdomKasimir malevichPaul kremerLouise nevelsonGavin turkNathlie provostyMaruani mercierPaul morrisonAnish kapoorLyle ashton harrisRobert motherwellHermann nitschPierre soulagesAllan mccollumHenri matisse