BY LEE PFEIFFER
Despite changing social tastes and values, America s love affair with Bob Hope ensured he continued his successful movie career throughout the 1960s, albeit with diminishing results. Perhaps the nadir of Hope s work on the big screen during this period is the 1965 production I ll Take Sweden , yet another sex-themed comedy of the era that can only be described as flaccid. Hope plays Bob Holcomb, a successful business executive and widower who is trying to provide a moral upbringing for his teenage daughter Jojo (Tuesday Weld.) However, Bob s viewpoints on the sexual revolution border on Puritanical. The most important mission in his life is preserving his daughter s virginity until she marries. When the film opens, Jojo and her ne re do well boyfriend Kenny Klinger (Frankie Avalon) announce to him that the intend to wed very soon, a prospect that sends Bob into a state of panic. Jojo isn t employed and Kenny s occupation is as an occasional rock n roll singer. Th