Zhao Cong The adventurer, the king of snacks, has a dog. Experimental musician, Kaoru Abe has no future band bass player. Playing with everyday objects, the fifth solo album "gear, gear" has just been released, and the fourth one will be released next month. http://zhaocong.bandcamp.com Yu Liujing The exploration of sound exists from beginning to end. Now I am fascinated by music that is not music. It’s impossible to prepare to play music alone this time
The Quietus | Features | Strange World Of | The Strange World of… Derek Bailey
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Michel Henritzi (Micro Japon) : « Ce qui pourrait définir l esthétique Onkyo, c est sa relation au temps, son détachement de l évènement, laissant chaque son définir l espace de l écoute » – POPnews
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Calum Barnes
, April 24th, 2021 09:21
New translations of the pathbreaking SF stories of Izumi Suzuki feel like transmissions from a lost future that ended long ago, finds Calum Barnes
Photo credit: Nobuyoshi Araki
According to Franco Bifo Berardi, the future ended in 1977. “This was the year when the punk movement exploded, whose cry – ‘No Future’ – was a self-fulfilled prophecy that slowly enveloped the world,” he argues in his 2011 book,
After the Future, sketching a knotty complex of social, cultural, and economic trends that all reached their terminus that year. The oil crisis exposed the volatility of the post-war economic model and the mass movements of the sixties fragmented. What could be a hollow polemical flourish turns out to be an instructive juncture from which to consider how the twentieth-century belief in progress came to be replaced by the neoliberal malaise that persists to the present.