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At the heart of Sara VanDerBeek s two-dimensional and installation-based work is a fascination with photography s power as a form of mediationbetween past and present, original and reproduction, and perception and thought. Her latest exhibition Lace Interlace at The Approach in London draws on her research into the work of early British photographers Julia Margaret Cameron (181579) and Isabel Agnes Cowper (18261911) at that city s Victoria and Albert Museum.
New artworks by Grand Prix recipient Subash Thebe Limbu and the finalists premiered during the 5th VH AWARD Virtual Ceremony Grand Prix artwork Ladhamba Tayem; Future Continuous explores idea of.